taiokc.com: Für unseren Autor Julius Vietzen war „Terminator 6: Dark Fate“ nicht nur ein Schritt in die richtige Richtung, sondern sogar. Linda Hamilton ("Sarah Connor") et Arnold Schwarzenegger ("T") reprennent leurs rôles iconiques dans Terminator: Dark Fate, réalisé par Tim Miller. Linda Hamilton (“Sarah Connor”) and Arnold Schwarzenegger (“T”) return in their iconic roles in Terminator: Dark Fate, directed by Tim Miller (Deadpool).
Terminator - Dark Fatetaiokc.com - Kaufen Sie Terminator - Dark Fate günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Linda Hamilton (“Sarah Connor”) and Arnold Schwarzenegger (“T”) return in their iconic roles in Terminator: Dark Fate, directed by Tim Miller (Deadpool). Das Computerprogramm Skynet hat sich weiterentwickelt und neue Wege gefunden, die Menschheit zu vernichten. Die alles entscheidende Schlacht findet in Mexiko statt. Hier gerät Dani Ramos mit ihrem Bruder zwischen die Fronten.
Terminator Dark Fate Navigation menu VideoTERMINATOR DARK FATE 2020 Best Action Movies . Hollywood Action films
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All Critics Top Critics 67 Fresh Rotten There's only so much even Hamilton and Davis can do with such one-note characters though Hamilton, at least, seems like she's having a ton of fun , and Dark Fate doesn't seem especially interested in seeing them as anything more.
Angie Han. It's fine for two hours. But all the diversity window dressing can't hide Dark Fate's inconsequentiality. Tara Brady. This sixth installment puts the third, fourth and fifth to shame.
Thelma Adams. It's not overly sentimental but Dark Fate succinctly links up to [James] Cameron's early films, without getting bogged down in what actually happens in this new alternate future.
Mark Daniell. It is to the director's credit that he dwells on the inner life of all of the characters, even the original Terminator. Stephen Romei.
Dark Fate by and large pulls off recapturing the goofy fun of the original, though with a twist. It evokes the earliest Terminator films, but Dark Fate doesn't want to just rewrite Terminator's future -- it wants to reevaluate its past, too.
Alissa Wilkinson. Terminator: Dark Fate is the best Terminator movie since T2 but feels more like a chance at setting up a new batch of sequels than a rebirth of the story.
Richard Crouse. For those of us keeping score, we are now for modern Terminator sequels -- maybe it really is time to say goodbye.
Jeffrey Zhang. Candice McMillan. First and foremost, the decision to bring Sarah Connor back pays off big time. Linda Hamilton hasn't missed a beat as the world-weary warrior, and gets back to smashing metal mother[frick]ers to smithereens with aplomb.
Mark Cassidy. Seeing Hamilton with the same sunglasses, the same inflexible visage, and a hoard of heavy weaponry is lightly nostalgic - but mostly meaningless.
Mike Massie. I did appreciate the power of women in this film, but even more enjoyable was the Terminator's evolution and role.
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Trivia In preparing to reprise her role, Linda Hamilton had to do a full year of physical fitness training and a strict carbohydrate-free diet from May before filming began under the supervision of renowned fitness trainer Mackie Shilstone.
Shilstone was known for his continuous research into fitness for aging athletes. Due to her age, Shilstone had ten people to assist him in supervising her, including his son Spencer nutrition supplements , and five doctors comprising Dr.
Brooks Emory pulmonologist ; Dr. Carl Lavie cardiologist ; Dr. Joe Mather functional medicine ; Dr. Field Ogden orthopedist and Dr.
James Riser chiropractor. The filmmakers wanted Hamilton to have an appearance of an aging seasoned pro league player reaching to the turn of coaching a rookie player.
Goofs During the riot in the US immigration detention center Sara Connor, who is being escorted out of the facility by local police but still in the main holding area manages to get a hold of a gun from one of the police officers sent to transfer her.
No firearms are allowed in a main holding area so they would have not had a gun on them. Quotes [ first lines ] Sarah Connor : It's like a giant strobe light burning right through my eyes.
Somehow I can still see. Children look like burnt paper And then the blast wave hits them. And then they fly apart like leaves.
Silberman : Dreams of the end of the world are very common. Sarah Connor : It's not a dream, you moron. It's real. I know the date it happens.
Silberman : Dreams of the end of the world are very common. Sarah Connor : It's not a dream, you moron. It's real. I know the date it happens.
Silberman : I'm sure it feels very real to you. Sarah Connor : On August 29, it's gonna feel pretty fuckin' real to you, too!
Anybody not wearing two-million sunblock is gonna have a Crazy Credits The opening logos have VHS fuzz over them. In addition, the Paramount Pictures and 20th Century Fox logos briefly flash their versions from A disclaimer requesting viewer discretion during the violent scenes that "can be disturbing to watch" was also added.
Connections Referenced in Clownfish TV: Terminator: Dark Fate Director STILL Blames Fans for Box Office Bomb? Was this review helpful to you?
Yes No Report this. Frequently Asked Questions Q: Will John Connor be in this film? Q: Did Gabriel Luna play both Rev 9 Terminator parts?
Q: Who is Sarah Connor? Country: USA Spain Hungary. Language: English Spanish. Runtime: min. Sound Mix: Dolby Atmos Dolby Digital. Color: Color.
Edit page. Arnold Schwarzenegger T, Carl. Mackenzie Davis Grace. Natalia Reyes Dani Ramos. Gabriel Luna Gabriel, Rev Diego Boneta Diego Ramos.
Tom Hopper Hadrell. Alicia Borrachero Alicia. Tim Miller Director. Goyer Screenwriter. Justin Rhodes Screenwriter.
Billy Ray Screenwriter. James Cameron Producer. David Ellison Producer. Dana Goldberg Executive Producer. Don Granger Executive Producer. Edward Cheng Executive Producer.
John J. Kelly Executive Producer. Weekend Box Office Results: Terminator: Dark Fate Underperforms but Finishes on Top Anyway. The 5 Most Anticipated Movies Opening in November.
Terminator: Dark Fate Is a Solid Reset. December 6, Full Review…. November 4, Rating: 2. January 29, Rating: C Full Review….
January 29, Full Review…. November 22, Rating: 2. View All Critic Reviews May 19, Let it never be said that they aren't trying. Everybody's trying, even the cast, and there was a genuine question mark over the head of that one going in, but people have been trying to make a great Terminator sequel for a very long time, and not a one of them has succeeded at the job since before I was even born, so maybe what we really need, is for the film industry to just stop trying for a little while.
Not stop trying to make good movies, just stop trying to make Terminator movies. Like, at all. Gimly M Super Reviewer.
Feb 17, The action sequences vary in quality but there are moments that feel new and even a little transgressive, which is surprising.
Alec B Super Reviewer. Jan 22, James Cameron returns to bastardize his classic sci-fi thriller with the half-assed reboot Terminator: Dark Fate. Unfortunately the cast is pretty weak and doesn't have the charisma of those from previous films.
The three characters were portrayed in the scene by body doubles, and digital de-aging was later applied to give them a youthful appearance.
The doubles wore special hoods that tracked their head movements, allowing their facial features to be replaced later by new motion capture facial footage recorded by Schwarzenegger, Hamilton, and Furlong.
During filming of the opening scene, Hamilton expressed dissatisfaction with the body double's portrayal, feeling that it did not accurately reflect the character.
Hamilton advised the body double on how to portray the character for a more fierce response to the T character. Hamilton was disappointed that she had no onscreen part in the scene and later said, "It wasn't me and it really hurt.
I cried my eyes out when I got home. Hamilton said she "really got a little crazy trying to micromanage" them to ensure that they moved the way her character should.
For this reason, Hamilton performed some of her own stunts. Scenes that were set in Mexico were shot entirely in Spain, where filming lasted approximately 30 days.
For these scenes, the film crew repainted cars to resemble taxis and also left old vehicles on the streets to suggest they were abandoned.
Boneta, who was born and raised in Mexico City, was asked to meet with the film's art department leaders to ensure that the filming locations in Spain had an authentic Mexican look.
In July , filming took place for two weeks in Catral , including the San Juan industrial estate.
The highway chase sequence required a crew of approximately people, with many different film departments involved. A custom-built pod car, similar to a dune buggy , was built to haul a pickup truck during filming.
This allowed Davis, Reyes and Boneta to act out their scenes in the truck while the driving was handled by a professional driver in the pod car.
Cameras were attached to the pickup truck to film the actors while the vehicle was in motion. The Rev-9 was to have killed a cop and stolen a motorcycle to continue its pursuit, and the motorcycle would be shot at and destroyed.
The Rev-9 would subsequently leap onto a truck and then onto Dani's vehicle. The extended sequence was previsualized, but Miller chose not to film it as the sequence was considered "crazy" enough already.
Previously, Miller had wanted to film the motorcycle sequence for his film Deadpool. Filming moved to Hungary on July 19, Miller spoke with pilots to do research into gravity and the plane's action scenes, which were difficult to choreograph because of the constant gravity changes depicted.
Animated previsualization aided the cast during such scenes. The set was constructed on an ton gimbal , the largest ever built.
The set was capable of rotating degrees, and could tilt backwards and forwards at 10 degrees. It was powered by five liter-per-minute hydraulic pumps , as well as more than a mile and a half of hydraulic hoses.
A pit had to be dug in the concrete floor of the sound stage to accommodate the large set, which took approximately five months to design and another five months to build.
The set was 60 feet long, half the length of a real C-5 fuselage, and it contained a bluescreen at one end for post-production effects to be added in later.
The rotating set helped to achieve the sense of gravity needed for the scene, and the set also allowed the camera crew members to strap themselves inside.
The plane set was padded for actors who shot scenes inside it. Foam replicas of military vehicles were also situated inside the plane with the actors.
Davis said shooting the film was "the hardest thing" she had ever done because of the physical requirements. Davis was suspended with wires to perform the scene, which was filmed in Budapest.
The scene was shot in a tank surrounded by a large bluescreen stage which depicted the exterior environment. For the scene, each day of shooting took place over hour periods from the evening to the morning.
Another scene depicts the T and Rev-9 fighting underwater. The film includes a scene where the characters are held in a detention center on the Mexico—United States border.
Miller said it was not meant as a social commentary or political statement on immigrant issues related to the border,    stating that the scene was "just a natural evolution of the story".
He noted: "I tried to walk a line there because it's a terrible situation, but I didn't want to vilify border guards. They're people doing a job.
The system is the problem. And even the choice to do it really wasn't a statement. It really was a function of us putting the story's beginning in central Mexico and then traveling.
In late July , Schwarzenegger began filming scenes in Budapest. While the filmmakers liked the surrounding scenery, they rejected a previous house that was built on the property for another production, so it was torn down to construct the new home.
Cameron, who also works as a film editor, was heavily involved in the editing of Terminator: Dark Fate. He saw a rough cut of the film in early and provided Miller with notes on how to improve it feeling it needed to be perfected.
He said the film "transformed quite a bit" from the rough cut. Miller's director's cut was closer to the film's final runtime.
Three or four minutes were removed from the director's cut, including a few scenes. Some scenes were also trimmed, including the underwater fight and those on board the C-5 airplane.
Miller also said that he and Cameron had many disagreements about lines of dialogue which Miller thought were "poetic and beautiful", while Cameron thought they were unimportant.
Because of the lack of full control throughout the project, Miller said he would likely not work with Cameron again, although the two maintained a good relationship.
At one point late in production, Miller considered placing the opening scene later in the film, when Sarah is in the motel room explaining John's death to Grace and Dani.
However, Miller said this structure "really changed a whole lot of stuff in a negative way", and he ultimately decided to keep it as an opening scene, in order to start the film off by shocking the audience.
This was cut from the final film as Cameron and Miller believed that the visual effects did not hold up well when the characters spoke.
The scene, written by Cameron, explained that Carl created a cell phone app to track the arrivals, which disrupt cell phone signals. The scene was removed because it was considered too humorous compared to the rest of the sequence, which has a serious tone as it involves Sarah meeting her son's killer.
Miller said, "We had to walk the line between gross and horrific", and he described the arm skin as "hanging like a big piece of jerky", saying, "That's where we drew the line.
The film contains 2, visual effects shots and was edited using Adobe Premiere Pro and Adobe After Effects. Eric Barba was the production supervisor with help from Blur Studio , Digital Domain , Method Studios , Unit Image, Rebellion VFX, The Third Floor, Inc.
The Third Floor handled some of the previsualization. The company also created an establishing shot of a military base, and several shots set during the border crossing.
ILM handled the de-aging in the opening scene. The ILM team also created the liquid metal effects of the Rev The team studied time-lapse photography which depicted the growth of algae and fungus, and this inspired the liquid metal movements.
According to Cameron in February , the film's working title was Terminator: Dark Fate. Tom Holkenborg composed the film's score, reuniting with director Tim Miller after their collaboration in Deadpool.
Holkenborg used approximately 15 instruments while composing the score, and also used the sound of an anvil and the banging of a washing machine.
Holkenborg described his score as being "way more aggressive" than Fiedel's. A first-look promotional image showing Hamilton, Davis and Reyes was released in August It was the subject of comments which criticized the film's focus on an all-female main cast and the absence of the Terminator and John Connor, the series' main characters, and raised concerns that the film was an all-female reboot similar to previous attempted critical and commercial failures.
In the final months, the campaign focused more on the film's action and special effects. Promotional partners included Adobe Inc. In early October , brief footage of the film was shown during IMAX screenings of Joker.
Miller and the cast went on a global press tour to promote the film, and Hamilton attended a premiere event in Seoul on October 21, Schwarzenegger's character has a van which advertises "Carl's Draperies " on the side of it.
This is a real number that leads to a voice recording of the actor pretending to be the character. The number references May 12, , the date that Kyle Reese time-travels to in the first film.
The video game Gears 5 allows the player to play as either Sarah Connor with Hamilton voicing her character, Grace or a T Terminator model. The game was released on September 6, The downloadable content was released on October 8, The film was released in the UK on October 23, ,  and was released on November 1, , by Paramount Pictures in North America, Tencent Pictures in China, and 20th Century Fox through Buena Vista International outside of North America and China.
Following its theatrical release, the film was released digitally on January 14, , before its home video releases on 4K Ultra HD, Blu-ray, and DVD on January Although it finished first at the box office, it was the lowest opening in the series since the original film when accounting for inflation , which was blamed on the lukewarm critical reception, as well as the audience's perception that the series had run its course.
In Germany, the film started out with , viewers, placing it third on that week's charts. As it did in the U. The website's critics consensus reads, " Terminator: Dark Fate represents a significant upgrade over its immediate predecessors, even if it lacks the thrilling firepower of the franchise's best installments.
The Hollywood Reporter wrote that critics overall seemed "cautiously excited about Dark Fate , although there's a certain awkwardness about seeing repeated recommendations that it is 'easily the third-best' movie in the series".
The film works either way, bringing the tale of the first two films to a satisfying conclusion while reintroducing the classic storyline, in exciting new ways, to an excited new audience.
It's a breathtaking blockbuster, and a welcome return to form. Joe Morgenstern of The Wall Street Journal gave the film a negative review, describing it as "cobbled together by dunces in a last-ditch effort to wring revenue from a moribund concept.
The plot makes no sense—time travel as multiverse Dada. Worse still, it renders meaningless the struggles that gave the first two films of the franchise an epic dimension.
Anderson of Common Sense Media gave the movie 2 out of 5 stars: "This sixth Terminator movie erases the events of the previous three dud sequels but winds up feeling half-erased itself.
It's like a dull, pale, irrelevant carbon copy of a once glorious hit. And when Dark Fate does deign to explain what's going on, it delivers its exposition in a self-important, hushed, clumsy way, as if audiences should be astonished by the most basic plot revelations.
Richard Roeper of the Chicago Sun-Times criticized the film, calling it derivative and a "boring retread", although he welcomed the return of Linda Hamilton, praises an "impressively effective" Mackenzie Davis, and the "winning screen presence" of Natalia Reyes.
This was genuinely a funny concept, but did not belong in this franchise; Sarah Connor's relentless battle with these machines shouldn't have been reduced to a series of Marvel-esque one-liners.
It feels like a Terminator movie spit out by a machine designed to make Terminator movies. A dark fate for the franchise, indeed.
Jeremy Dick of MovieWeb speculated that some of the themes of the film contributed to its poor box office performance: "Another possible reason for the new movie's lackluster performance would be its reputation as a " woke " reboot of the franchise Whether this is true or not, this reputation could have soured some potential ticket-buyers from attending Dark Fate showings in an era where many Americans are starting to feel movies, TV shows, and other forms of entertainment are just getting too politically-correct.
Miller said the film was never meant to be better than Terminator 2. As to the mixed reception, Miller believed that some audiences were predisposed to dislike the film after being disappointed by the last three films.
Miller also believed that some audiences "hate it because it's the sixth movie, and Hollywood should be making original movies and not repeating franchises".
Fans and critics expressed anger over the decision to kill John Connor off in the opening scene,   and suggested that his death and replacement with the characters Daniella Ramos and Grace was merely a response to feminism and the MeToo Movement rather than actual plot and character development.
Fred Hawson of ABS-CBN News wrote: "By deciding to lose John Connor early on in this one made the emotional heart of the first two classic Terminator films stop beating as well.
First, they get rid of the John Connor character in almost casual fashion. Corey Plante of Inverse , who was critical of Furlong's portrayal of the character in Terminator 2 , nonetheless found his character's death off-putting: "The character at the focus of every previous Terminator movie—the same young boy I irrationally hated since I was a young boy myself—was dead.
Needless to say, it rattled me. What was the point of all that struggle, all of Sarah's desperate attempts to keep herself, and her son, alive?
John Connor might be dead weight at this point, narratively speaking, but he was our main connection to the original films, and his death renders both of those movies pointless.
Matt Goldberg of Collider felt the opening did irreparable damage to the legacy of Terminator 2 by rendering it pointless: "Every sequel since has diminished the ending of Judgment Day because the story 'needs' to continue because studios like money and can't leave well enough alone.
But Terminator: Dark Fate may be the worst offender thus far as its prologue directly follows T2 and goes for shock value rather than considering what it means to continue the narrative.
About the controversial scene, Furlong also expressed his displeasure, and hoped to reprise the role in full in a future film.