Boogie Woogie – Sex, Lügen, Geld und Kunst: Kunstweltsatire mit „Akte X – Die unheimlichen Fälle des FBI“-Star Gillian Anderson. Boogie Woogie ist eine glänzend besetzte Satire über die hippe Londoner Komödie im Stil von „ Der Teufel trägt Prada“, US-Kinostart erfolgte über IFC-Films! Die Rhinegolds besitzen ein wertvolles Gemälde, auf das es der rücksichtslose Galerist Art Spindel abgesehen hat. Er setzt alles daran, das Paar zum Verkauf des Bildes zu überreden. Indes verspricht es seine Assistenten Beth ihrem Liebhaber, um.
Boogie Woogie – Sex, Lügen, Geld und KunstBoogie Woogie ist eine glänzend besetzte Satire über die hippe Londoner Komödie im Stil von „ Der Teufel trägt Prada“, US-Kinostart erfolgte über IFC-Films! Boogie Woogie – Sex, Lügen, Geld und Kunst - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | taiokc.com Ein Mondrian-Bild steht im Mittelpunkt eines wilden Reigens zu den Rythmen des Boogie Woogie. In der Star-gespickten Komödie gerät die eigentliche Kunst d.
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Filme wie Boogie Woogie - Sex, Lügen, Geld und Kunst. From Wikipedia, the free encyclopedia. UK theatrical release poster. Danny Moynihan Kami Naghdi Christopher Simon Cat Villiers.
Release date. Running time. Retrieved 24 January Writers: Danny Moynihan screenplay , Danny Moynihan novel. Available on Amazon.
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Show HTML View more styles. Edit Cast Cast overview, first billed only: Gillian Anderson Jean Maclestone Alan Cumming Dewey Dalamanatousis Heather Graham Beth Freemantle Danny Huston Rate this movie Oof, that was Rotten.
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How did you buy your ticket? View All Photos Movie Info. A tycoon's crafty wife plays rival bidders against each other as a shady art dealer tries to obtain a valuable painting.
Duncan Ward. Kami Naghdi , Christopher Simon , Cat Villiers. Danny Moynihan. Apr 28, The Works International. Gillian Anderson Jean Maclestone.
Alan Cumming Dewey. Heather Graham Beth Freemantle. Danny Huston Art Spindle. Jack Huston Jo Richards. Christopher Lee Alfred Rhinegold.
Joanna Lumley Alfreda Rhinegold. Simon McBurney Rhinegold's Secretary. Charlotte Rampling Emille. Amanda Seyfried Paige. Duncan Ward Director. Danny Moynihan Screenwriter.
Kami Naghdi Producer. Christopher Simon Producer. As both Moynihan and director Duncan Ward have been intimately involved with art, not to mention Damien Hirst being present as consultant, one might be forgiven for wanting a little more meat on this bone than provided by the purely, if you'll excuse me, pornographic aspects of such a pun.
Joanna Lumley reprises some of the flavour from her hit TV series, Absolutely Fabulous. The familiar clash of taste and gobbiness is in full flow.
But whereas Ab Fab scored with visual gags and highly developed comic characters, Boogie Woogie's attempt to lampoon style-over-substance seems injudicious and hollow.
Whereas Mondrian's actual work bristles with luminous colour, the film tries too hard to be bright and ends up lacklustre. In a word, inadequate to the task.
Leading parts are not charismatic enough to command or sustain appeal for the full hour and a half, even with such great actors. Timing of jokes seems rehearsed rather than spontaneous.
The overall effect is ironically artificial. One of the best things about Boogie Woogie is that it might inspire you, as it inspired me, to read the original novel.
The book is not everyone's cup of tea — but it is undoubtedly original, well-written, quite often shocking, and does everything the movie set out to do and doesn't.
Strangely, for a film I have to admit I didn't like very much, I am strongly drawn to watching it again. I want to imagine it as it could have been.
Should have been. A film that makes us care about art. Laugh about the shenanigans. Feel shocked or excited by sex and drugs and jazz.
And I desperately, desperately, want to see a note at the end-credits that reassures me: "No actors were harmed in the making of this train wreck.
Not quite bad enough to be good, and not good enough to wholeheartedly recommendable. But, like a painting where the oils contained the wrong amount of linseed, the effort that has gone into its ill-fated brushstrokes is nevertheless sadly commendable.
How can you dislike this piece of cinema, I have recently become quite depressed with British Cinema, I have sat through hours and hours of mediocre films portraying how rubbish life in England is.
Furthermore if I have to watch another film set on a council estate or any other "Grey lens" rubbish I am ether going to kill myself or move.
But too my surprise when I went to see "Boogie Woogie" it was as though the clouds had parted and I was met with a burst of colour, a witty script and for once a story and theme that inspires me.
Enabling me to leave the cinema with a smile and a springing my step, wanting to live in the art world. To be brief This Film has some features that make it a great film.
That makes going to see British cinema at long last a joy again. Any film about the modern art world should be cynical, boorish, ironic, sarcastic and angry - and Boogie Woogie does this.
It is irreverent and aims to show the shallowness and the intrigue; but fails. What we get is kind of a mix of different threads, it's hard just to see why she's sleeping with him, who is sleeping with her and she's sleeping with her too etc; we get video installations and linear stories at the same time, and it's meant to be about voyeurism etc; but with a great cast, it just fails to push to the ridiculous and aims instead to be a film about relationships, all of them ugly and meaningless.
The women come off far better than the men here, and Joanna Lumley in particular, otherwise there's just no gravitas here whatsoever, which may be the point, but it makes for very shallow viewing.
All in all, just unenjoyable, only occasionally is the humor really on spot and truly spiteful, mostly it's just ranting or something If art and relationships are your number one thing you might enjoy this - we couldn't find either here First of all, I have never read the book; this review is based purely on a number of viewings of the film.
Reasons to like this film: 1. Simon McBurney Robert Freign. The only character worth caring about, mainly because he does not have a lot to say.
Reasons to dislike it or at least, reasons I was disappointed : 1. The characters, apart from covering a good range of stereotypes, are insufferably pretentious, irritating and unsympathetic in particular the characters of Beth, Art and Jo.
From start to finish I could not bring myself to care what happened to them. It gets boring very quickly. Lines and situations are casually thrown in without, it seems, even an attempt at originality.
An example is a scene that takes place in a posh restaurant. Two of the richer characters are served by a "foreign" read Eastern European waitress who does not understand, conveniently setting it up for the lines: "What is that?
The entire screenplay feels forced, contrived and timeworn. The storyline, while it appears to be making a clear point - to wit, "the art world" is shallow and requires a hard heart to handle it - does little more than go around in circles repeating the same message in an all too obvious way.Get a sneak peek of the new version of this page. Celebrate Black History Month with IMDb's exclusive galleries, Wasserschwein, videos, and more. Danny Moynihan Kami Naghdi Christopher Simon Cat Villiers. Danny Moynihan. Apr 28, Most unusual, is the setting which takes place in London, yet feels like its in lower Manhattan, half of the cast is American; I thought Madonna was the only wealthy American to transplant despite the indigenous draconian tax-rate. Middle East Now. Orphan Black: Season 5. User icon An illustration of Boogie Woogie Film Damian Hardung Instagram head and chest. Most of the Wdr Podcast Zeitzeichen do their jobs adequately but without really standing out from the cluttered cast list, although Danny Huston's attempt at scenery-chewing and film-stealing is little Wohnmobil Usa Mieten than grating, with the pseudo-evil chuckles and 'god-damn its! I couldn't answer that so I turned off the Insulinpumpe. View All Critic Reviews Festival dei Popoli. Categories : films English-language films black comedy films LGBT-related films Adultery in films British black comedy films British films British LGBT-related films Films about the arts Films based Tv Now Pferdeprofis British novels Films set in London Films shot in London Lesbian-related films LGBT-related comedy films comedy films. Film uscita. Udine Far East Film Festival. Boogie Woogie est un film réalisé par Duncan Ward avec Amanda Seyfried, Stellan Skarsgåtaiokc.comor: Duncan Ward. Jean and Bob Macelstone (Gillian Anderson and Stellan Skarsgard) are a wealthy, art loving couple who live in a home that looks like the secret hideout of a Batman villain. Beth Freemantle (Heather Graham) is Art's assistant who's also working behind his back to launch her own gallery with Bob's help. 3/22/ · Topics Based on the novel of the same title, BOOGIE WOOGIE is a wicked satire set against the backdrop of the contemporary London art scene where lust, ambition and power prevail while success and failure precariously balance on a knife edge. The film has an amazing emsemble cast featuring established stars such as Danny Huston, Stellan SkarsgÃ¥rd, and . Boogie Woogie is a comedy film set in the art world of contemporary London. It is based on the book of the same name written by Danny Moynihan, who adapted his own book on the New York art world of the s and titled it based on Victory Boogie-Woogie, a Piet Mondrian painting. Based on the novel of the same title, BOOGIE WOOGIE is a wicked satire set against the backdrop of the contemporary London art scene where lust, ambition and power prevail while success and failure precariously balance on a knife edge. Audience Reviews for Boogie Woogie Jan 19, Disposible comedy supposedly about the upper echelons of the art world aesthetic, where what everyone really wants is the most expensive painting. Boogie Woogie is a British black comedy film directed by Duncan Ward and produced by Eric Eisner and Leonid Rozhetskin. It is based on the novel of the same name by Danny Moynihan, who adapted his own book on the New York art world of the s and titled it based on the Piet Mondrian painting Victory Boogie-Woogie. A comedy of manners, its cast of characters devouring each other in a small world awash with big money. Set against the backdrop of contemporary London and the international art scene, it casts an eye over the appetites and morality of some of its major players.